If the Grammys got these two frenchies to play their electronic music instead of the blatantly faking Guetta super market music it probably would of been swallowed by viewers a lot easier.
Their live shows are quintessential electronic music performance art, without the ‘edgy’ lady gaga extravagance.
This is my favourite part of the live mix so far. The blending of Canon and DANCE gives me chills.
Xavier: One of the principals we have is that there is no weird place to hear our music: even if it’s a s*** movie it’s cool because it’s meant that for a music supervisor, your song complements this emotion or something a bit epic. For example, the best place for us to listen to our music is when there is a football game announcement. You think, “Wow - if this track is powerful enough to make someone think that it could fit with a football game, then it’s perfect.”
Gaspard: It’s blood-sweat-and-tears music.
It’s interesting seeing this perspective from artists. Copyright law and record companies make you jump through flaming knifed hoops to use artist’s music in indie films, but I genuinely think artists would enjoy for their songs to be used by, essentially, other artists.
If you have any appreciation for Electro, piano, or music in general you must listen to this.
Justice makes Ke$ha tolerable, it pains me to say.
Get On Your Boots (Justice Remix) - U2
This just blows my mind. It is too good.
Hello, I'm Omar Jordan Fawahl, sometimes I go by Omi. I'm an 18 year old indie filmmaker • wannabe petrol head • electro 'fart' music aficionado.
mixed original & reblogged content
everybody dance now
